When the freeway came to this coastal area, Tortilla Flats was one of the neighborhoods. That was before the US 101 began running up and down the West Coast of the United States. Now, Tortilla Flats I understand was a neighborhood that once existed in this part of California in the 1050s. Don’t wait for others to recognize what you believe is important to archive. Soon I happened upon some Tortilla Flats stories. The technological power to document is in everyone’s hands, much more so than when we started in 1993. It is our desire that those exposed to this project recognize that history is made when individuals record and make art celebrating what happened to people and places. It is our intention that this website function as an educational tool, an inspiration for future oral history gathering, and historical documentation of what is lost in the course of social “progress.” It contains the photo collection and identification of Tortilla Flats families and places – the ongoing efforts of the Tortilla Flats Legacy committee, as well as documentation of their many neighborhood reunions. It contains media coverage and bureaucratic maneuverings of said murals. It contains the oral histories gathered from the neighborhood residents and the photos and drawings from which 3 monumental murals were created. If not, they would rather remove it than see it weather away to nothing.The Tortilla flats Legacy Project Website is a digital compilation of the hard copy archives created from 1992-2022, documenting the Tortilla Flats neighborhood displaced in the late 1940’s-early 1950s when the 101 freeway was built through westside Ventura CA (the 1960s). Any of these actions would take money, which the creators of the mural are skeptical can be found. These include cleaning and sealing the panels to prevent further weathering, at least for a few years moving it to a fitting location possibly even recreating it with more durable materials. Last week a committee was formed to explore options. This piece of Ventura’s history should not follow the Tortilla Flats neighborhood into the dust of history without a fight. Sponsors were found for individual panels but both the available materials and the location-a temporary wall enclosing a site destined for development-dictated that the work’s days would be numbered.īut when Mora and Hanrahan recently announced plans to dismantle the now-fading mural, the community said no. Requests for funding fell flat, so the project was carried out on the cheap with volunteer labor, donated plywood and any old paint that could be scrounged.
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